nice price deal !!! soul intent is a drum and bass dj/producer based in nottingham uk and the owner of lossless music. after releases on labels like 31 records / blindside / broken audio / commercial suicide / creative source / cylon / demand / ingredients / lossless music / mac ii / project 51 / samurai music / vampire the time is right to start releasing on his own imprint and his debut is a banger. 2 straight forward high quality drum and bass tunes for the true fans.

nice price deal !!! for almost a decade now, lovemonk has been releasing classy music and this new 12 inch is no exception. damian schwartz – who has previously released on the likes of oslo, apnea, bass culture and hypercolour as well as running his own a harmless deed imprint featuring producers like marcos cabral and dj f - presents a new two track ep that continues in that good tradition.

rob duke is back on the field with several new weapons to spin out! three original track and one featuring with noon. this new ep represents a nice form of the fusion between house and tech house. a great journey into a deep addictive groove surrounded by fat bass line and surprising organic sound

the next vinyl-only release on candela rising is a 3 track ep from irish duo dara smith & ian mcdonnell, a.k.a lakker. all topped off with a remix of the title track by us born and birmingham based dj skirt. after a string of extremely successful releases on blueprint, killekill and an early 2013 release in the shape of a remix for stroboscopic artefacts, lakker are back and showing more range than ever before. coal bath is a real frankensteins monster of a track, a techno/garage hybrid with haunting vocals hiding through the middle and broken beats that hit hard. skirts remix takes coal bath and lays down some heavy demented bass, chops up the middle and grooves things up. all of which leaves a remix ready for the bunker or warehouse. on the flip, rsspstp is a heavy hitter. distorted bangs set the pace for this one, which evolves into a prime example of the attention to detail lakker are so famed for. machine music at its best. the final track on the ep, brood, is dark and dense, full of cold atmosphere, sub-low beats and distant, distorted drones. techno for the darkest floors ...

dave tarridas latest release on heraldic.spb is mouth watering food for thought that delivers his unique blend of twanging metallic leads and body shaking bass. for me, dark matter takes the cake with its deep and subtle madness, perfect for keeping the heady energy going all night long

house roots are the new series of our long time friend and collaborator franco cinelli. been his 7th release on the label and after having released and remixed on labels like bass culture, oslo or harry klein records, franco delivers two oldschool house party bombs strigtly for the dancefloor in his very own style! expect raw rhythms and percussion patterns, analog synths and francos own trademark chords all over the place

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

aksutique is the moniker of matthias springer for his deep ambient techno, dub techno and downbeat productions. matthias has released several productions over the years, ranging from techno to chill out music under different names. the notch fields ep is the first vinyl release for aksutique and features 3 tracks of aquatic dub influenced deepness that sucks you right into its maelstrom of endless echoes, synth swirls, noises and reverberated chords. “echolot” for example is a pure intense submarine cinematographic infinite journey that takes you into the depths and never lets you free again. the record features an additional dark and electronic rework by valanx aka arne weinberg that drenches the original in eerie voices, electronic sounds and deep bass. not for the faint hearted.

handnumbered repress, ltd to 100 copies! vinyl only! the emotiv rational machine is in full effect and gives the unnesessary things no attention and focussing only on its own distinct goal, which is to make you dance. no fancy melodys, which are distracting you from being one with the bass and the 4 to the floor. no distraction from overloaded ego spilled arrangements. no tellin you who is the ......! you know that talk from your favorite blog. let the maschine do the work. strictly limited handstamped vinyl with sticker.

jump kicks things off in style here, with its off-kilter drums creating a bumpy, energetic vibe, while bright chord progressions, hi-strings and looming, drawn-out bass tones create the melodic depths. sampled and manipulated vocal snippets are also introduced building their own melodic movement, while the envelopes of each element are subtly tweaked to falter and evolve throughout the records duration.

im:ltd, the label with more treats in his pockets than your sugar daddy, is back once again to unleash the latest efforts from ukrainian producer hibea white owl.filled with with bass frequencies lower than a strippers self esteem, fierce percussions and jungle-like wild breaks and backed up with some heavy duty remix works from rising sex symbols phil tangent and fade, that 4 track collection is a definitive must have for any lewd dnb fan.when these drop, owls wont be the only birds whose heads are spinning!

on the eve of our 3rd anniversary area recordings comes full circle with a new release from founder be-1ne. following on in the tradition of his past work he brings two exciting and original tracks. steering clear of repetition and pushing the thought and approach to 140 bass music, this is sure to be one of the standout releases of 2013.

30 year old london born ali pearce, aka stealth is a dj/producer that has been on the scene for many years. his diverse style and maturity of sound has seen him successful in many areas of the drum and bass spectrum, achieving releases on some of the industries most respected labels including – v recordings, renegade hardware, subtitles, frequency, intasound and many more… after honing his skills as a teenager on the illegal rave scene in the late 90s, his early days as a dj saw him picked up to be a resident warm up artist for the legendary promotion movement, going on to play at some of londons top nightclubs over the years, as well as abroad, and hosting weekly shows on origin fm. the last few years have been focussed more and more towards his productions, allowing him to cultivate his skills as an artist, and securing dj support of his work from the likes of – andy c, chase and status, subfocus, marky, bailey, bryan g, calyx, teebee, dbridge, break, ulterior motive, zero tolerance and xtrah to name a few! the future definitely looks bright for this budding producer, as 2013 kicks off with an ep due out on subtitles early in the year, as well as material lined up for release on andy cs new imprint program, so keep your ears peeled!

topset is the first vinyl release of the nu music label from hamburg, called tach & nacht. topset is a rich mix of deep bass, dry minimal babble with calming melodies and tech house kicks. newcomer dice start with their own and first vinyl ep. dice, also known as rausch & metrik are together in style and sound and they complement each other brilliantly. they offer an individual form of music that doesnt fit into once specific genre. the release is backed up by the renowned remixer miyagi & m.tuschy (topset). they are both influenced by deep & tech house with slightly hypnotic techno sounds, what is heard in the remix of topset very clearly. and of course mareue, better known as heymann & stietzel with their northern seaside influenced style. have fun and listen

continuing their fine tape edit series of releases the check the guns boys bring us a 4 track ep packed with expertly sliced up gems. first up is greg hendersons dreamin which is given a ctg workout that should move any discrerning dance floor. next up is the cow bell and bass guitar grinding work out of love somebody. on the flip side disco magic brings the funk to the table and finally cant shake is an old school cut up with a vintage feel.

dank has been at the forefront of the heavy bass culture movement since its early inception years ago. this new york city native considered to be a pioneer of the underground sound currently coming out of the city that never sleeps, represents heavy bass culture from the school of the hard knox and is knee deep in it. it has been said he eats, sleeps, and breathes heavy bass culture. in addition, he is no stranger to demolishing dance floors throughout the united states and abroad. fused with sexy bass and super funk, dank has played along side some of the hottest talent on the planet.

limited 200 black vinyl pressing in custom brown record jacket with black inner sleeve.
the deeply layered rhythms and atmospheric elements that refracted shows across the four tracks on along a ghostly trail make a perfect match for silent season, as the berlin based newcomer joining some illustrious company in the shape of stl, djorvin clain and edanticonf in contributing to the canadian labels rise. clouds of sub bass meld rhythmically with the stripped back percussive lilts of enlightenment as they traverse a scenic back drop of textural atmospherics, whilst the title track is similar in tone if imbued with a spectral feeling that justifies the name. contrasting this, both oo-koo-he and hyperdimension are gloopy bassline lead arrangements that slowly swell around the senses.

having established the w&o street tracks imprint in 2012 to further push the revivalist house sounds of themselves and their contemporaries, waze & odyssey kick present the labels first release of 2013 with a double header of hot house talent. on the a-side, ejeca, who helmed the last w&o street tracks release teams up with us based rhythm operator on raid, an initially tense house number which explodes into a catchy sequence of lysergic 90s stabs, complete with whooping vocal sample. on the flip, rising london producer citizen builds on the momentum from a year of strong releases on love fever, five easy pieces and kerri chandlers madtech with in my mind, a heady combination of hypnotic vocal loops, thick bass, and narcotic organ chords which display a darker side to the producer.

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

vinyl only, limited 2013 repress !
played by sascha dive, vera, sebo k, einzelkind on his first ep for tenderpark marquese proves to be a master of using his means. with only a few, but purposefully used elements with interesting modulations marquese creates two lean house tracks which nonetheless feel very round and harmonious. beautiful chords, subtle vocals and a powerful beat and bass fundament turn mindshake and twool into two deep house affairs which skilfully combine modernity and classicism.

trikk follows up last years debut release on manmakemusic with a second offering of shimmering bass heavy house music aimed squarely at the dance floor. the ep itself has already been getting some heavy rotation from manmake label boss george fitzgerald, appearing on his recent boiler room and radio one essential mixes. on basement traxx we see the darker side of trikks musical personality as he gives us a stuttering techno drum workout with demented pads and ominous stabs. rounded is trademark trikk featuring rolling subbass alongside drifting chords and swinging drums. lando (formerly lando kal) completes the ep with a guttural techno rework of the aside rounding off a stellar dancefloor centric release from the manmakemusic camp.

argots fifth release calls upon elizabeth merrick-jefferson, an enigmatic lady lurking in the shadows of detroit, to reveal her three track debut record. on urban off road, her muscular take on techno dashes across dancefloors bearing a distinct twinge of vulnerability, courtesy of the gorgeous bell melodies nestled between heartburning bass lines, brisk piano chords, and precisely arranged cascades of vintage percussion.

massive techno sound coming from mik izif. banging bass, melodious lowfreq bassline and slamming charleys will drive the dancefloor up to madness. even when you believe the kick is there, it is not the kick grows and grows and grows. screaminfg crowd passport style!

little do people know that coober pedy is an opal rich town buried deep within the red and arid outback of south australia. lewie day (aka tornado wallace) and tom moore may be from melbourne, but the duo make up the coober pedy university band, coining the term krautback to describe this moon plain ep. drawing upon italo synths and mid-tempo balearica as inspiration, the first release comes in 10 form via soft rocks kinfolk label. the reverb washed australian crooner chet faker appears on the title track moon plain alongside heavy struck piano chords, while sentenced beyond the seas is a flow of groggy atmospheres and downtempo beats. oblong is the the eps stand out italo track with short bass arpeggios a highlight, while soft rocks acperience mix of moon plain takes on an acidic and space western theme.

limited 12 inch picture disc in support of record store day 2013!
kraak & smaak are laying claim to 2013 as their year with the incredible hype generated by the future is yours - the debut single from the fourth studio album due later in 2013. the single which has ben westbeech on vocals has hit number 1 in the dmc buzz chart / tune of the month in mixmag / dmc single of the week and has been getting support from key tastemakers from london to amsterdam to la. remixes on the vinyl come courtesy of londoners futurizm who put the bass in the place with a slo mo version that has been getting djs twitchy and xlr8r fave ambassadeurs delivers a leftfield bass twister that shows why he is one of the most hotly tipped producers of 2013. kraak & smaak are staunch supporters of record store day being involved in the record shop business themselves and as prolific vinyl collectors.

100 years is a new label and venue set up by esteemed sheffield promoter, producer and studio engineer liam o shea. the first release features two tracks by him as loshea. both city steel and prang are energy driven, bass-rumbling techno bangers.

40 thieves are back with a brand new mid tempo instrumental mover for leng records. this single sided 10inch picture disc is available as a limited edition release.(record store day) >in your space< is a cosmic jam that kicks over a funk filled bass line and heavy guitar licks brought together with some added cow bell and squelchy space efx.

i made another record for the lovely welshmen at ten thousand yen. the a side is an arpy thing with bass the flip is a vocally thing with bass. they both contain breakdowns - please dont hold this against me xoxo

after the glorious debut we go straight ahead ep for luv shack last summer, a welcome return for lesale with his lesexe / symphony release. thumping drums and throbbing bass await prerequisite footwear in lesexe. and you better have a pair of some serious leather that can withstand a night heavy shuffling as lesale gets his boogie boots and swagger on. original gets tight and mighty with a groove that just demand you stomp up a floor or two in search of the booty. aroused and alluring vocals dampen all the right places and also set up for a long night of passion. the guy knows how to sex you up for sure!

vinyl album released to coincide with bbcs punk britannia and the queens jubilee. a re-recorded greatest hits album by the original 1977 line-up of jimmy pursey (vocals), dave parsons (guitar), dave tregunna (bass) and mark cain (drums) released to coincide with bbc tvs punk britannia series featuring jimmy pursey and sham 69, and the queens jubilee.

following up on their massive off debut from last summer, leftwing & kody deliver another heavy dose of 90ies inspired garage & bass-house goodness. you were is a clean and stripped back peaktime tool, relying on its catchy and energetic synth/bass-hookline.

300 x limited vinyl only release, hand stamped and numbered “it’s quite overpowering… no point in standing round” the first release from a new producer rarely sounds like this. swaggering through your speakers with a distinct lack of concern for weak hearts or brittle bones, the first record from blured is a focused combination of dirty funk and malignant, pig-iron bass.

remastered reissue featuring three fantastic hard-to-find classic rump shakers from hamilton bohannon. bohannon was one of the key forces in disco in the seventies and this is him at his best - his instantly recognisable sound is pure uncut boogie mixing riffing guitars, bad-ass funky bass and pounding drum tracks. first up is the super-rare long 12 inch version of me & the gang a superbly funky track popular with everyone from tony humphries to carl craig with its great chunky beats & a killer piano groove later sampled by paul johnson for his hit get get down, followed by the groove i feel - a monstrously good floor-filling gem unearthed from his 76 album dance your ass off. on the flip you get the awesome full 12:45 minute version of maybe you can dance another slamming disco-funk stomper only ever available as an elusive 1977 12 inch promo. quality stuff!

phuture shock musik have the special honour to present the latest release by bass music pioneer - colin lindo aka nubian mindz. a certified veteran in the game, with a sizeable back catalog that spans releases for seminal labels such as 2000black, delsin, rush hour, and archive, not to mention some groundbreaking efforts on 4heros trailblazing reinforced label where it all began for the producer under the moniker alpha omega.

triplevinyl is supported and played by djs such as joseph capriati, davide squillace, amo & navas, angel alanis, paco osuna, marco bailey, uto karem, dubfire, carlo lio, tube & berger, danny serrano and between others artists. dj feedbacks:thomas schumacher: great release

futureboogie recordings is proud to present the supremely skilled production force that is bruh jackman. a duo comprised of chameleon producer jabru and bass scene favourite, hackman, this devastatingly fresh debut ep also featuring rising star vocalist joel culpepper is one to mark out the futureboogie imprint as a last word in uk electronic talent. carving out a niche of their own, bruh jackman are set to make a huge impact in 2013 with their beautifully textured electronic music where fluid neo soul melodies and velvety vocals melt into vivid keys and contemporary bass science.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

die yippiee-vögel aus hannover haben für ihre neue ep ihre fühler jedenfalls weit ausgestreckt und bis ins ferne all gefunkt, um letztendlich eine nachricht aus ihrer eigenen stadt zu bekommen.der hannoveraner sebi mono aka bass tikal, der eigentlich eher fans von dnb und dubstep bekannt ist, hatte mit seinem partner aus bristol mehrere neue raketen gebaut und konnte seine langjährigen freunde sofort von ihrer mission begeistern. euphorisiert vom neuentdeckten machte sich mono und die vögel sofort an die arbeit. kurz vor dem start der ersten zweiwöchigen 12-mission und der folgenden zusätzlichen digitalen streifzüge freut sich das gesamte team euch nun ihren hoffnungsträger vorzustellen:da eine schallplatte ohne qualitätsverluste nur eine bestimmte track-länge zulässt, fanden sich am ende exakt drei tracks, die nun den dunklen weg der macht bestreiten. auf der a-seite findet sich das mehr als 10-minütiges debüt der beiden neuen vögel. hipster und youtube-kritiker würden dieses stück wohl als episch beschreiben. das yippiee-team fand aber, dass der titel stellar völlig ausreicht und ihren griff zu den sternen gut genug beschreibt. bei den tracks auf der b-seite handelt es sich hingegen um sehr an der bassline orientierte tracks, die auch durch die unvoreingenomme und unkonventionelle herangehensweise der beiden dnb-produzenten ihre gewisse würze erhält. neben durchaus bekannten grooves zeichnet besonders der feinfühlige einsatz von flächigen sounds im zusammenspiel mit prägnanten, aber auch maßvollen vocals diese ep aus.

your memories fade away.you devote yourself to music.the propulsive bass makes your heart beat faster.a break , soulful and playful.you dance and dance, cant stop.be happy with jules heffner & freund.

two thirds of the hypercolour label team, alex jones and ste roberts, present the first initials 12 inch of 2013 in the form of shard in the hole by blue & green. otherwise known as bareskin & j.wiltshire, blue & green have already developed respectable reputation for themselves. bareskin, aka 19 year old josh thompson from winchester, has set his stall out with non-standard house workouts for losing suki and hypercolour while j.wiltshire has an imminent ep for the prolific imprint.as with previous initials releases,shard in the hole has a techno leaning stance, albeit one with a far from purist outlook. the title track is a broken 4:4 track that builds towards a solitary pulsing bass note and skittering high end percussion and arpeggios. bring me down on the flip is a housier groove complete with an unnerving bassline and clipped vocal samples complimented with distorted washes and theremin-esque tones.

here we are ladies and bass addicts. the first full stazma vinyl is coming!

for its ninth release popcorn is proud to present the second ep of the man from koeln that we do not introduce anymore: daso. this artist who became a real friend and mainly one of the head artist of the label is one of the talented producer in the recent electronic music circus. immer, the main track of this release, gathers a collection of generous and deep sounds sprinkled with hypnotics’ synths: no mistake. the italian nico lahs (ovum, poker flat…) gives us a brilliant own interpretation playing with the bass through acid touches. definitely underground. schub the second original of this opus confirms dasos potential to produce deep house. strong original themes, romantic piano, voices and rollands drums are a sweet taste of springs. chordster is the last original but not the least. the lead piano drives the acid snare all along the track. the result is more than effective and brings your mind right into dasos universe, forever.

combining his heart-piercing songwriter side with a skyscraper of soaring electronics , he takes the listener surfing on an emotional sine wave, an electronic soul testament that earmarks him out as the successor to the thrones long since vacated by massive attack and the aphex twin... two years after his debut album took uk bass culture down previously unimagined roads of introspection, james blake returns with the epic * overgrown*, an incredible album that sees james growing as a singer and songwriter while at the same time returning to the brain melting electronic perfection of his early releases on hemlock and hessle, moving way beyond any post-dubstep pigeonholes to include stunning reinterpretations of both hip-hop and house

championsound continue to blaze a trail, showcasing some of the hottest new talent to emerge from irelands vibrant music scene!! following hot on the heels of the premiere release on champion sound in 2013 , next in line comes the work of prolific northern irish producer, t-polar, whose previous releases on acroplane, saigon recordings, morris audio, !kaboogie records and rebirth garnered the support of everyone from mary anne hobbs to 2562 to boddika. in keeping with his previous output and adding to what must surely be irelands deepest discography in electronic music (dating back to 2004), t-polar (aka gary spence) releases feetwork, an ep which hop-scotches genres, roughened up by the searing properties of hoover bass, teamed with tough, rolling kicks, nods to leftfield house and vintage rave, and peppered with skittering two-step grit. the remix in the pack comes from the increasingly ubiquitous unknown whose youtube uploads and remixes have been setting the internet alight with speculation.

in recent years spanish producer baldo has built a great style and following in the modern house scene, catching the attention of andrade who has recruited him for this fantastic new five tracker ep called far away. with a well developed sensitivity, baldo has featured a sensual combination of house and susceptible feelings to create an outstanding and very special cocktail. three crisply produced tracks likely to spoil the senses with delicate melodies and bass-driven sound. the music speaks for itself. once again we welcome our friends on the remixes. hold youth main man, le loup, the protagonist of the paris scene and known for his releases for wolf+lamb, eklo and fragil, re-creates a dubby version of in the crowd, setting an impressive atmosphere and deeper experience.

house of black lanterns is the brand new project from dylan richards, formerly known as king cannibal (ninja tune) and zilla (warp). retaining the earlier influence of dj krusts sprawling drum & bass soundscapes, house of black lanterns sees richards develop his sound to incorporate the dub-inflected techno textures of rhythm & sound whilst nodding to the catchy, yet occasionally bleak floorfillers of trax, all inspired by the modern noir visual style of michael mann.

für ihren nächsten törn hat die crew von acker records eine polnische skipperin angeheuert, die den exotischen namen an on bast trägt. mit heiterer leichtigkeit steuert sie seaman with a lap dog durch die schweren, wogenden subfrequenzen, angefeuert vom hypnotischen ruf der seeleute. für das minimale everything is possible navigiert sie entlang einer dichten wand aus brummendem bass, im mysteriösen zwielicht zeichnen sich geisterhafte klangfiguren ab. nach einer schwungvollen wende übergibt die fahrensfrau das ruder an mollono.bass, der seinen remix zu seaman with a lap dog unter straffer rhythmischer takelage in einen geheimnisvollen melodienebel manövriert. und die fahrt ist noch nicht zu ende, für die gemächliche passage durch das surreale bermuda-dreieck der klänge übernimmt erneut an on bast das kommando. so endet die reise mit ferret stories da, wo sie begonnen hat, in aufbruchstimmung und mit fernweh. achtung - everythings possible enthält starke krissel geräusche - dies ist so gewollt !